![]() But in season two, Frank owned that moment alone, leaving Claire outside the door before claiming his place as commander in chief. Some compared that scene to the famous “I am the one who knocks” speech from “Breaking Bad,” and the end of season four faintly echoes that entitled, menacing Walter White monologue as well. They have merged into a singular, ruthless force that refuses to be stopped by anything.Īs a curtain dropper on a season, it’s as memorable as the one “House of Cards” delivered at the close of season two, when Frank finally got his hands on the Oval Office desk and put an exclamation point on the moment by double knocking his ring on its surface. They’re not a politician and his supportive spouse, as they were portrayed early in the series, nor are they a husband and wife on the verge of divorce and battling for political power, as they were when season four began. That, coupled with Frank’s pointed use of the pronoun “we” instead of “I,” confirms that the Underwoods are a unit now. As Claire, Robin Wright blasts through that invisible divide with just her gaze, marking the first time in the show’s history that anyone other than Kevin Spacey’s Frank has acknowledged the audience’s existence. He’s not breaking the fourth wall alone.įrank is the one talking, but the woman sitting next to him, Claire Underwood, is also staring right into the lens with the same level of intensity. ![]() We make the terror.” Talking directly to the audience is nothing new for Frank, but there’s something different in the way it’s handled this time. In the final moment of the tonally inconsistent but nevertheless intriguing fourth season of “House of Cards,” Frank Underwood looks into the camera and speaks these words: “We don’t submit to terror. ![]()
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